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Biography

Weaving effortlessly through dance music genres, soulful house, deep house, tech house, techno, leftfield breaks and nu-disco, NiiNA has the crowd on her side through a combination of technical ability, passion for music and sublime sense of taste.

For the past 15 years, self-made Scandinavian DJ, NiiNA has called Bali home and uses it as a hub to travel and play across the globe. A passionate music lover without formal music education was voted best DJ 2009 by The Yak magazine / Bali. NiiNA has expanded her musical repertoire far beyond the first sounds she played when she arrived in Asia from Europe in 2002. Bali’s first DJ residency using international talent was NiiNA’s, at the legendary Double Six. She swiftly claimed it as her own after her first appearance. NiiNA has held residency at the iconic and quintessential Ku De Ta since 2004, demonstrating her ability to keep within sight not only the underground clubs, but also the high-end lifestyle venues. This dedication has enabled a global reputation. It’s easy to see why NiiNA has been described as the “stately queen of progressive house”, “one of the legendary international DJ’s of Bali” and “queen of deep”.

In early 2016, these realizations propelled NiiNA to take on her next creative challenge – the incubation of a collaborative artistic experience called Wunderkinds.

Pooling her creativity, resources, passion, and diverse skills, NiiNA conceived of the project as a means to collaborate with a rotating and constantly changing bevy of artists. To teach her skills, learn from others, allow networks to intermingle and grow, foster positive friendships, and encourage differing creative approaches to inform the musical process – in essence, to become bigger than the sum of the parts.

Wunderkinds was developed and launched, and publicly debuted in May 2016 as the opening DJ act for the sold-out Heineken Presents Nora En Pure at the famed Ku De Ta beach club in Bali.

Her position as Music Curator & DJ for live performances for Bali Fashion Week Fashion Shows and after parties 2014, demonstrates her ability to adapt from the underground to the other musical project challenges. She has also recently co-operated with POSITIVE & NEGATIVE art gallery in Bali curating their exhibition audio. NiiNA is versatile and enjoys collaborating with a variety of sound requirements.

NiiNA has shared her own unmistakable sound / venues with likes as Rasmus Faber, Sebastien Leger, Pete Tong, Paul Oakenfold, Olivier Schories, Derrick Carter, Jeff Mills, Derrick May, Armand Van Helden, Nightmares on Wax, LTJ Bukem, Sasha, Miss Nine, MR V, Oxia, Monte, John Digweed, Dave Seaman, Nakadia, Darren Emerson, Blondish to name but a few.

NiiNA has expanded her musical repertoire far beyond the first sounds she played when she arrived in Asia from Europe in 2002. Her first residency as international talent was at the infamous Double Six nightclub in Bali, claiming it as her own from the first appearance. NiiNA has held residency at the iconic KU DE TA / Bali since 2004, showing her ability to keep not only the underground, but also the high-end lifestyle venues on her side. This dedication has enabled a rising global reputation.

NiiNA also infiltrates radio airwaves with segments such as live@DeepHouse Australia / Sydney, live@KISS FM Melbourne, FORWARD / Berlin, BALANCE.fm / Croatia, FRISKY, Midnight Express / Mexico City, Up n Loud / Thessaloniki and finally KUDETA radio.

With her international acclaim, top-flight residencies, consistent performances, and captivated audiences, it is not hard to see why NiiNA is a very popular artist to book. With a huge portion of raw talent, fearless mixing, and her incredible energy, we can see NiiNA as an amazing artist.

Some of NiiNA’s top Clubs she performed:

  • DOUBLE SIX – Bali
  • KYO – Singapore
  • ELECTRIC MONDAY – Berlin
  • SASH – Sydney
  • OMNIA – Bali
  • MVNT – Perth
  • DRAGON I – Hong Kong
  • CELIA – Shanghai
  • KuDeTa – Bali
  • SLAKTHUSET – Stockholm
  • CLUB 23 – Melbourne
  • SWEATBOX – Kuala Lumpur
  • GEISHA – Perth

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